
We screened In My Sleep in the market at the Cannes Film Festival and got a fantastic response. It was quite thrilling to watch the movie in a theater with an international audience and hear them laugh and scream at all the right places. Later, people stopped me on the streets to tell me how much they enjoyed the film. A local movie poster store even put up our poster in their front window!
The day after our screening, I got a list of people who attended and saw that a reviewer from The Hollywood Reporter was in the audience. I sent him an email to ask him if there was any additional information he wanted about our movie. He emailed me back and said "If you've read my review on-line, you'll know it couldn't get more positive. Congratulations. You are a versatile talent."
I immediately searched Hollywood Reporter's website for the review. I quickly read it and was blown away at how positive it was. He loved our movie! It was midnight in Cannes and I just got the first professional review of my filmmaking career.
I got on the phone and started making calls. I reached our lead actor Philip in England and read the review to him over the phone. He was ecstatic. I then called anyone else I could reach. I felt like I was living out a scene in a movie where the Broadway show opens and the reviews were just published in the papers. Except this was real!
I was up until well into the morning, calling and emailing people. I was too energized to sleep. The next day, the review was published in the print version of The Hollywood Reporter and momentum was on our side.
Within a week of Cannes, our foreign sales company had sold In My Sleep to over 30 countries around the world and they continue to do so. We are currently working on the distribution strategy for the U.S. and I'm looking forward to sharing it with you. Our movie is finally coming out! I'm very excited about that.
Click here to check out the review online.Hollywood Reporter review of In My Sleep
By Duane Byrge
Bottom Line: A sexy, well-made thriller.
CANNES -- A happening guy from West L.A. beds a lot of beauties, but he wakes up one morning with blood in his bed and all over his torso. How did it get there and whose is it? That's the deadly question in "In My Sleep," a well-stirred titillation that will appeal to twentysomething audiences and movie-buff viewers who appreciate the pursued-pursuer, Hitchcockian style of suspenser.
In this savvy entertainment, Marcus (Philip Winchester) has it going: a shiny new Volvo, a gig at an upscale health spa and a winning smile. He's also got a problem with the ladies: He loves them and forgets them. Not because he's crass or insensitive, but because he's a parasomniac -- he does things in his sleep he'd never do while awake and blacks out on what has happened. Not surprisingly, this rankles some female sensibilities, but conscientious Marcus sincerely tries to right his ways, seeking medical help as well as enrolling in a sexaholics group.
Filmmaker Allen Wolf torques this high-concept premise to darkest dimension: Marcus' best friend's wife has been brutally knifed to death, and he fears he may have done it. He also is a very decent guy, who can't believe he would have been capable of such a horrific crime. With circumstantial evidence mounting against him, he must truly figure out who the killer is, even if it is him, before he is arrested.
"In My Sleep" works because the protagonist, while flawed, is completely likable and honorable. Philip Winchester exudes an integrity, as well as a gritty determination, which makes us root for him.
Supporting characters are also convincing, a tribute to the well-assembled cast. In particular, Lacey Chabert is winning as Marcus' adoring neighbor, while Tim Draxl is sympathetic as Marcus' best friend and husband of the murdered woman. Abigail Spencer flexes a steely guile as the estranged sister who accelerates the investigation against Marcus.
Narratively, "In My Sleep" never rests, a credit to the tight, psychologically astute pacing of filmmaker Wolf and editor Peter Devaney Flanagan. In like dark vein, cinematographer Michael Hardwick's taut compositions and vivid scopings magnify this nocturnal horror story.